Category: Art

Dolly Parton was a Tennessee original, but Georgia has spent the last day mourning her as if she belonged to the Peach State too. The country music titan died Tuesday, Aug. 25, 2026, in Nashville at age 80 after a brief battle with cancer. Within hours, Georgia-born and Georgia-based musicians — from country radio fixtures to Atlanta R&B royalty and hip-hop stars — began saying what her songs had always made feel obvious: she was theirs as well.

Parton’s Georgia story started before most of the tributes did. In 1966 she and Carl Dean slipped across the state line and married at Ringgold Baptist Church, a quiet elopement that the north Georgia town still treats as civic history. She later filmed Joyful Noise and Dolly Parton’s Heartstrings around metro Atlanta, played Georgia Tech’s Alexander Memorial Coliseum in 1977, and, in 2002, invited Midtown drag performers onstage at Center Stage to sing “Jolene.” Those ties help explain why the grief here has felt so personal.

‘A rhinestone example of what it means to be giving’

Jennifer Nettles, the Sugarland frontwoman who came up in Atlanta, knew Parton as more than an influence. Nettles portrayed Parton’s mother in the NBC films Coat of Many Colors and Christmas of Many Colors: Circle of Love. After the news broke, she wrote that the world was better because Parton had been in it.

“She was a singing, dazzling, rhinestone example of what it means to be giving, kind, generous, gracious, and loving,” Nettles said. “She leaves us an artistic legacy that will never even remotely be rivaled, and moreover, she showed us what it means to be a leader of culture and an ally to those who need it most. And she did it all with a twinkle in her eye.”

Zac Brown: “She was a real angel long before now”

Zac Brown’s connection was more recent and more intimate. The Georgia bandleader shared the Rock & Roll Hall of Fame stage with Parton at her 2022 induction and recorded the 2025 collaboration “Butterfly” with her. In his tribute he reached first for faith, then for the studio memory.

“She was a real angel long before now. Her faith was number one. There will never be another Dolly Parton,” Brown wrote. “Pure talent, pure soul, pure love. She lived by example. My wife and I are heartbroken but so blessed to know her heart. … She sang her heart out on Butterfly, and I will never forget the first time that I heard what she sang on it.” He added that she would want people to “be true to who we are, and show each other love and kindness.”

Jason Aldean and Cole Swindell: doors she kicked down

Macon native Jason Aldean, posting Tuesday night, treated the word “legend” as something that had been overused until Parton made it exact.

“The term ‘legend’ gets thrown around a lot these days but she really was,” Aldean wrote. “An icon to the entire entertainment industry, especially the Country Music family. I had the privilege being around her a few times over the years and she was truly a bright light that shined just a little brighter than anyone else in the room. … Rest easy Dolly and thank you for the contributions you made and the doors you kicked down for all of us that came after you.”

Glennville’s Cole Swindell kept it shorter and just as final, calling Parton “one of a kind.”

Atlanta across genres: Gladys Knight and Lil Nas X

The remembrances did not stay inside country radio. Gladys Knight, one of Atlanta’s defining voices, remembered Parton as a peer and a model. “Dolly was one of a kind and the ultimate role model for women both in and out of our musical industry,” Knight wrote. “I admired her in every way possible.” Parton had covered Knight’s “Midnight Train to Georgia” on a 1977 television special — a small, elegant loop between two Southern catalogs.56

Lil Nas X, the Atlanta artist who recast “Jolene” in 2021, posted a photo of himself with Parton and a caption that needed no extra ornament: “THE ONE AND ONLY! FLY HIGH MISS DOLLY!”30

The Atlanta tribute circuit felt the loss in a more workaday way. Katie Coleman of the metro Atlanta band Run Katie Run has spent the past year leading the Dolly show Here I Come Again after years of playing Dollywood. “She’s just been such a model of what it means to have insane integrity,” Coleman told CBS Atlanta. “Like, start with kindness in every situation, and love and acceptance. … I wasn’t ready. That was the first thing that crossed my mind. I wasn’t ready for her to be gone.” At the Atlanta Eagle, a Midtown gay nightclub that has long claimed Parton as an ally, staffer Richard Ramey put it more bluntly: “She never turned her back on us. Never.”55

An older Georgia circle

Some of the Georgia connections predate the social-media era. Atlanta’s Brenda Lee knew Parton when both were young Nashville hopefuls in the 1960s and later recorded with her on the 1982 album The Winning Hand. Clarkdale musician Ray Stevens produced Parton’s early single “Dumb Blonde,” the song that first announced she would not be reduced to the joke in its title. Those names remind listeners that Parton’s Georgia story is not only condolence posts. It is also a working history of Southern studios, television specials, and shared bills.30

Former longtime Atlanta resident Elton John, who crossed paths with the city during his own years here, called her “a giant of an artist — unique and irreplaceable.”

What Georgia is holding onto

Gov. Brian Kemp called Parton an “American treasure” whose loss is felt “all the more in the South where she was so deeply loved.” Ringgold’s mayor, Kelly Bomar, said the town would keep the marriage story, the mural, and the annual Dolly Days festival as local inheritance. Those civic notes sit beside the musicians’ words without competing with them. The artists keep returning to the same few qualities: the songs, the work ethic, the refusal to sneer, the habit of opening doors and then leaving them open.32

Parton’s family has asked that memorials go to the Imagination Library rather than flowers. In Georgia, that request lands with extra weight. The program sent books into counties that still talk about her as the woman who married in Ringgold and then spent a lifetime making sure other people’s children could read. The artists remembering her this week are not only saluting a catalog. They are describing a neighbor who made Southern show business look like generosity with sequins on it.

There will be more official tributes — the Grand Ole Opry has already set a dedicated night — but the Georgia chorus is already clear. Nettles thanked her “for everything.” Brown said there will never be another.

Aldean thanked her for the doors. Knight called her the role model. Lil Nas X told her to fly high. In a state that produces country, soul, and hip-hop in the same week, that range is the point. Dolly Parton made room for all of it, and Georgia’s musicians are answering in the only language she would have trusted: they are saying her name, and then they are going back to work.